Designing for Endurance.

Timeless used to be a look that stood the test of time. A quality piece that survived seasons because it outlived its moment. That definition no longer holds.
The quality no longer holds, and the silhouette has gone from timeless to time stamped.

Endurance is practical, not poetic.

Founder working at desk

Designing for endurance begins when you accept reality as the client. Use, time, money, labour and consequence. It shows up in stitching that doesn’t come undone, zips that don’t fail. And it extends beyond the object to the grower, picker, maker; if you’re forced to undercut yourself to remain viable, that fragility is built into the product from the start. Calling something sustainable doesn’t correct that. Paying properly does.

Endurance forces business change.

Most design avoids endurance because it forces long term thinking and costs short term gains. Designing for endurance means not offloading these questions onto the customer. It means building systems through aftercare, design and partnership, where responsibility remains with the maker. Where products can be returned, reused, recycled or passed on without becoming someone else’s problem. Where a product can become an heirloom rather than landfill.  This way of working doesn’t fit neatly into traditional business expectations. It doesn't align well (yet) with shareholder pressure or growth that depends on constant replacement. That friction isn’t accidental, it’s the point.

Endurance changes the customer relationship.

Not through constant novelty, but through trust. Inviting return not just to buy but to see what has been built next.  Through meaning, innovation, and designs that aren’t shaped by hype but instead carry weight, story, ethos and credibility. Ultimately, it’s about responsibility. About refusing artificial exclusivity. And not treating the customer like a cash cow or dishonouring their custom.

Endurance is non-negotiable.

Designing for endurance is not a claim of purity or perfection. It’s a commitment to build under real constraints, economic, material, human and to redefine those choices and the consequences. Redesigning them so there is meaning and reward instead. Selling products that aren’t a lie. That thinking is already being tested in what we’re building now, under real constraints.

Sustainable Streetwear Isn’t a Trend; It’s a Systems Problem.

Systems don’t change themselves.

Sustainability is being treated as a consumer responsibility instead of a system responsibility.

We’ve outsourced accountability downward, to customers, to workers, to suppliers, while profit stays safely at the top. It’s infuriating. And it’s everywhere.

Sustainability talk is booming while quality collapses.

Choice is increasing. Longevity is not. You don’t need to be a designer to notice it. Groceries shrink. Clothes thin. Products fail faster. That contradiction isn’t accidental, it’s engineered. And it shouldn’t be acceptable.

We are not at the end of a solution. We’re at the start of a very long curve.

Sustainability fails the moment it asks the weakest part of the chain to carry the most responsibility.

Fast platforms. Endless drops. “Capsule wardrobe essentials” released weekly. Externalised costs dressed up as innovation. Profit-first systems with zero consideration for product lifecycles, and even less for people.

This is why Mongrel Logic exists as an outlier.

When I first sketched the Designer range, the goal wasn’t to make a cap. It was to make something that lasts a lifetime, with a traceable lifecycle and no future landfill. Not just something you wear, but something that rewires how you think about what you wear. That thinking is already being tested quietly in what we’re building now.

True sustainability isn’t boring.

Yes, it can be slow. Yes, it can be unsexy. It involves trade-offs. It involves constraints. It involves admitting what you don’t control.

But working inside limits isn’t a compromise, it’s a test. A test of whether new ways of thinking, working, and creating are possible without pushing profit upwards and damage cascading down.

Most systems won’t even try. I will.

Baaplrvlsrsppdtedpdspot.

Founder (me) drawing the latest design, Lilith’s Corsage

I know it’s not a word, but it’s the best one I have for everything I have been doing over the past month. Brand architecture and authorship, practice-led research, visual language systems, reflective studio practice, platform dynamics, threshold and entry design, process documentation, and sustaining practice over time.

Which all sounds very fancy for a fuck-ton of work.

And it has been. But every month that goes by, I refine this little system and fine tune it and it’s really starting to look like what I had in my head. It’s been hugely frustrating at times. Some research is still going nowhere due to the nature of what I am trying to build, I am early. Being early means I need to define, not copy. And do it in a way that I can stand by proudly. When you are the first to do a few things, there is no one else to ask.

Which is equally Great! And terrifying.

Luckily, I am that busy I don’t have a lot of time to think about the terrifying and just focus on the next thing, and the thing after that. It sounds cryptic, and it’s not meant to. Inside my little brain is everything that we are about to launch next. We have three upcoming projects, one of which is the designer range.
All the designs, web development, copy writing, trademarks, legal, fulfilment, packaging, that list above, are all juggling for top spot. I can only pick one thing at a time.
Not to mention Insta, which for the first time is starting to feel like a thing. I can’t tell you how much work has gone into that, far too many 2am finishes.

A strong finish to 2025.

We got our first orders through and our first reviews, I’m living in a world of firsts now. It’s quite fun. And we’re off to a hell of a start for 2026, having ironed out my Baaplrvlsrsppdtedpdspot.

What’s coming in 2026?

This year I’m planning to launch the designer range, where this all started, with Mongrel’s first design, before any of this was a thing, our signature cap. A cap isn’t really a winter thing. I have another two big projects lined up for the next month to three that are in the wider Mongrel universe but not linked to the designer range, more on that later.

Deep breathe and plunge.

As I stand here, right on the edge of the precipice, it’s a very cool place to pause. From this vantage point I can look back and still see everything I have built, to get me where I am now. And I am about to jump off the proverbial cliff (suited up) where I will lose this perspective and gain a new one. I can see everything laid out in front of me, or the possibility of it, and the hard solid ground behind me. It’s still quite peaceful, despite the noise in my head. All of that is about to change.

A Christmas Of Refinement.

Lilith’s Corsage in progress

Much to the annoyance of everyone around me, the amount of work I have been doing to build this little engine that could, has kept me up so late that I almost saw Santa.

Have you ever dreamed in ctrl c, ctrl v?

Neither had I, until I started building the shop. I now find myself waking in the night with tension from holding down Ctrl +C and not pasting it, because technically, I’m asleep. This should give you some indication of how many alt texts, descriptions, documents, versions, oh my!

The little engine that could.

Four days of drawing later, our latest design, Lilith’s Corsage, is now on the website. I wanted to do a lily, but not floral in the traditional sense. I pulled elements from older drawings and folded them into the piece; that’s where the checkerboard petals come from, for example.

I guess now the test of the dream begins.

Not the ctrl copy and paste dream. The whole thing. I’ve tried breaking it, and it stands. And now I’m about to roll the proverbial boulder down the hill.

Too many metaphors?

This is the first chance I’ve had to flex in two weeks of product design, store development, and endless strategy work. So yes, too many metaphors. My brain is trying to wake up after long hours of repetitive tasks. It’s not quite there yet.

A refined store front and some new pyjamas.

That’s really…a wonderful thing.

Verbal bondage and visual systems.

AI visual showing the three characters to Mongrel Logic, a small part of the process of developing our visual system.

The tiny problem when you build like I do is the language evolution as I progress. I’ve changed the website more than I have changed outfits this year.

Defining what hasn’t been defined.

Learning how to talk about the three characters I inhabit in this world has been extremely challenging. Every time I refine even the smallest phrase, the knock-on effect of clarity in one area means a complete rewrite in another.

It’s ok, I won in the end.

I have emerged from the wilderness of my own mind, covered in moss, dirt and ichor. But I think I might have finally moulded all these things into one coherent, cohesive story that finally has its visual shit together.

The evidence of our evolution is here for all to see.

I don’t mind that. At all, actually. I have built this from scratch. Whether it’s finding identity in wording, or arguing with myself over flat felled seems and GSM, pattern makers, choosing our manufacturers for the limited editions; it’s been one hell of a journey to be able to stand here next to a thing that looks like a thing. The beginnings of a thing. A ‘th’ if you will.

Mongrel Logic has found its stride.

Which is good because I walk fast. I have not stopped in months. The tiniest bit of wording on the website, image, description, product seen and the coming soon limited-edition range is all occupying my head. All trying to find its mark.

It took a minute, but this is the first time it’s felt like it can breathe.

There is much more coming. And so much more to do. I’ve just finalised a visual identity system. And our next hoodie design is under construction. I’ve just finished rewriting the website again, and for the first time, I think I have a plan for our socials. The AI image above was part of that journey, trying to articulate the three characters of my business. I needed a visual way to help me delineate language and this helped quite a bit.

A Quick Note on Our Studio Hum

DJ at work

Since changing all my social profiles to business accounts, I can no longer post my videos to my favourite songs, boo! And no disrespect, but it’s hard to find something royalty free that is incredible.

I became an overnight sound designer.

Which was a lot of fun. Finding sounds, editing them, finding samples playing around with layering; weird, random sounds coming out the office. The problem is, it’s very time consuming. And I am all about time saving. So, I made a sound. We have an official sound. My days of sound designing are over.
Our base layer came from a Sample Focus clip called “Gospel Choir Hum” by user2866535286451.
We adjusted it, shaped it, sped it slightly, and paired it with a bark that sounded exactly like Zen; turning a simple sample into the signature Mongrel Logic™ sound.

The shortest career ever

Well, it was fun while it lasted. But I can’t tell you how relieved I am to just be focused on visual content again. It’s cut my content creation time in half. And I’m rather proud of it. Woof.

Wearable logic. Circular by design.

First life: catching golden-hour wind on a skater’s back. Next life? Whoever needs it next. Clothes should travel; not landfill.

If we were all to have a penny for the world’s problems right now, we’d have a lot of pennies. I’m not here to lecture you. We know. By now we all know. We’ve all been told to quit, and we’re all out back smoking thirty at once.

But we can do better than 90 million tons of textile waste.

The good news? The solutions already exist. One of them is our King’s Award winning Third-party production and fulfilment service. Everything we make is organic cotton, dyed with a process clean enough to produce drinkable water; and every piece is fully recyclable when it reaches the end of your story with it.

Circular Fashion is the future.

Not in a trending way. In a logical way. A single garment can serve multiple lives:

·       a first owner

·       a second owner

·       a second-hand market

·       and finally, Remill; where it’s respun into something new

Remember hand-me-downs? Cousins’ shirts? Clothes used to travel. Fast fashion and poor quality are what broke that system.

Recycling textiles is just the beginning.

For me, the ethos behind the build has been the backbone of everything, from designing the world’s most amazing cap (coming in 2026) to choosing our fulfilment service. Organic. Circular. Sustainable. Renewable energy.
Not buzzwords; decisions.

Organic, Circular, Sustainable, Renewable Energy

It’s as much about what I want to see as what fashion should be. Something that can be passed down from generation to generation, or something that can serve a second life on a market elsewhere. Not end up in landfill.

Built with purpose

And with Mongrel Logic.

What is The Mongrel Studio?

The first Mongrel Studio logo; the creative home behind Mongrel Logic’s sustainable design philosophy

The Mongrel Studio is where I designed my first cap. It had no name back then. It’s a physical space as much as it is a space inside my head. Where the ridiculous and the incredible are possible. I am one of those people who is interested in everything. I have the good fortune of wide-ranging experience.

I love both the light and the dark, I can easily be found cleaning with Devil wears Prada running in the background listening to Lorna Shore whilst contemplating why we’re trying to terraform a planet with no rotating core. This example isn’t exclusive.

Why did I develop The Mongrel Studio?

I can’t help with Mars. But after I designed the cap, I developed the studio to answer the design questions I have been asking my whole life. Why we do things the way we do and how I could do it better.

When I was a kid; at The Kruger National Park my brother and I slept in a one-man tent that was dripping with condensation, listening to Hyenas sniffing around the campsite. I still hate tents.

One night, there was an infestation of black beetles that stank worse than anything I have ever smelled. They gathered around lights and died in the thousands. I will never forget that smell, it took my breath away like horseradish or wasabi. I love both of those, I just mean the compound in the smell, it knocks your breath back into your throat.

I was looking at the streetlight outside the other night, it was at about midnight, and there was one lonely bug swirling around it; getting ever closer to the spider web spun across the light. It made me sad. I have always loved nature and deplore how we live with it.

What does this have to do with caps? Nothing. And everything. It’s the backbone of everything I do. It’s important to design with nature in mind. We must do things better. It can’t just be about profit and eating up resources. I don’t have an answer to it all. But I finally have a home for my mad scientist to live.

From a Cap to Solving the world’s problems

I want to help that lonely bug, and I want to help people be able to earn their own money. If you can’t afford to eat, you can’t afford to care about insects. The focus right now is making a cap that, with care, will last you a lifetime. It’s something that your kid might dig out of your cupboard in 20 years’ time and claim it as their own. Using the right materials. Not producing landfill in the form of fast fashion. Creating products that have a life on the second-hand market. Limited, capsule drops under the label Mongrel Logic™.

Transparency is key as well, I think. I don’t have everything figured out yet, six months ago there was no brand, just a blog and me trying to figure out what my next step was. Now I am madly pulling together design files and hunting for the right collaborator.

The next chapter for the studio

The next chapter is finding a collaborator, making the cap and launching it. After that, I have more tricks up my sleeve and a vision. The vision being the development of a house that empowers others to do the same and bring access to those who don’t have it.

How is Mongrel Studios going to help?

I know this is bigger than me. The hard part will be getting it done, but I’m not sweating. It starts with our signature edition cap, motivated by a desire to see people win, because we can’t solve the worlds problems if we are all constantly losing.

Welcome to Mongrel Studio.

If you are still reading, thank you. Follow along to see the cap launch unfold and watch what becomes of this space. Collaborators welcome. Subscribe to the newsletter; coming soon and follow on socials. This is just the beginning.